The Hip Hop Urban Culture
Hip hop music is part of hip hop culture predominately among African Americans and Latinos (the other two elements are graffiti art and breakdancing). The reasons for the rise in hip hop music are found in the changing urban culture in the United States in the 1970's. Beginning in the 1980's, hip hop culture began its spread across the world. By taking the time to explain a fertile culture expression, students of hip hop music place at our disposal some of the most intriguing investigations of a powerful art form.
The Hip Hop Urban Culture
HALT DIE FRESSE - 04 - NR. 244 - BBT (OFFICIAL HD VERSION AGGROTV)
Tube. Duration : 3.08 Mins.
HALT DIE FRESSE - 04 - NR. 244 - BBT (OFFICIAL HD VERSION AGGROTV)
HALT DIE FRESSE mit BBT aus Berlin. VIEL SPASS WEITERE INFOS: www.facebook.com AGGRO.TV: www.aggro.tv http www.twitter.com www.tiny.cc AGGRO SHOP: www.downstairs.com Exklusiv auf AGGRO.TV.
HALT DIE FRESSE - 04 - NR. 244 - BBT (OFFICIAL HD VERSION AGGROTV)
HALT DIE FRESSE - 04 - NR. 244 - BBT (OFFICIAL HD VERSION AGGROTV)
HALT DIE FRESSE - 04 - NR. 244 - BBT (OFFICIAL HD VERSION AGGROTV)
HALT DIE FRESSE - 04 - NR. 244 - BBT (OFFICIAL HD VERSION AGGROTV)
No URL HALT DIE FRESSE - 04 - NR. 244 - BBT (OFFICIAL HD VERSION AGGROTV)
Hip Hop Dancing
Hip hop dancing is an urban ethnic dance form that has gained popularity in recent days. It is more common than the break dance of modern days. Hip hop dancing marked its beginning as part of the hip hop culture in the early 1900's, when the youth in and around Bronx, New York started dancing on the streets.
Hip Hop Dancing
"Hip Hop" by Pace Won and Mr. Green
Video Clips. Duration : 4.22 Mins.
"Hip Hop" by Pace Won and Mr. Green
Pace Won and Mr. Green "HIP HOP" The Only Color That Matters Is Green Raw Poetix Records Directed By Phil Sedehi Cinematography by Lucas Pruchnik Edited By Jed I. Rosenberg Here goes some fiction for the heads out thurrrr! Miss Teen usa aka Miss South Carolina could even understand that the Britney Spears is a Stargate alien from the planet Mars or maybe Venus. (I'm not sure) Lil Wayne and Rhianna also concur that these fellas blur the line of reality through art fatality. Mortal Kombat on you Wombats!!! Finish him for breakfast lunch and dinner to see who the winner is on who wants to me a millionare or even chamillionare. I found a billion google type candies worn by a sexy gal named Mandy. She was totally crazy and loved to listen to Swizz Beatz and even Snoop Dogg ! Here's my most favorite tale: One day I saw a cute fat kitten run amok. His name was John and he had a lil sister named Mary Ann Butt Crack and an even smaller sister named Suzy Asscrack. They went to the store to buy a crack rock for Paris Hilton and her boyfriend Oj Simpson. then Johnny Cochran stepped on Suzy and went to court with her parents. Meanwhile, the boy cat from around the corner who went to the same school where the Olsen Twins escaped with 2 girls and one cup, found some hardcore booty shake records from the 90's. He listened to the classic songs yet new they were disrespectful to women. Ergo the Freak in captivity is none other than the new character Tommy with whom all adore. Tom is a wolf ...
"Hip Hop" by Pace Won and Mr. Green
"Hip Hop" by Pace Won and Mr. Green
"Hip Hop" by Pace Won and Mr. Green
"Hip Hop" by Pace Won and Mr. Green
No URL "Hip Hop" by Pace Won and Mr. Green
The History of Rap and Hip Hop Music
The origin of hip-hop can be traced back as far as the ancient tribes in Africa. Rap has been compared with the chants, drumbeats and foot-stomping African tribes performed before wars, the births of babies, and the deaths of kings and elders. Historians have reached further back than the accepted origins of hip-hop. It was born as we know it today in the Bronx, cradled and nurtured by the youth in the low-income areas of New York City.
The History of Rap and Hip Hop Music
DanceTube - Lil Buck, Ices Brown Dance, Dubstep, Hip Hop, Popping, Tutting- Vote Best Dance of Week
Tube. Duration : 4.25 Mins.
DanceTube - Lil Buck, Ices Brown Dance, Dubstep, Hip Hop, Popping, Tutting- Vote Best Dance of Week
Weekly Top Dance Videos on YouTube! Featured videos: raphael467 WHZGUD snocap- Tucker, Amanda, and Candace HouseofCrews- Lil Buck lmcmali Ices391- Ices Brown Featured Music: HISD - "Autobahn" itunes.apple.com El Uno- "Hydraulics On Her Body" (feat. Lyrik & Ro Ward) www.datpiff.com Twitter: @eluno409
DanceTube - Lil Buck, Ices Brown Dance, Dubstep, Hip Hop, Popping, Tutting- Vote Best Dance of Week
DanceTube - Lil Buck, Ices Brown Dance, Dubstep, Hip Hop, Popping, Tutting- Vote Best Dance of Week
DanceTube - Lil Buck, Ices Brown Dance, Dubstep, Hip Hop, Popping, Tutting- Vote Best Dance of Week
DanceTube - Lil Buck, Ices Brown Dance, Dubstep, Hip Hop, Popping, Tutting- Vote Best Dance of Week
No URL DanceTube - Lil Buck, Ices Brown Dance, Dubstep, Hip Hop, Popping, Tutting- Vote Best Dance of Week
How to Dress: Hip Hop Clothes!
The hip hop culture has become one of the hottest and most powerful things in the music and fashion business. Hip hopers are some of the most influential celebrities in the world today; they influence music, style and fashion.
How to Dress: Hip Hop Clothes!
RUFUZ FEAT. BONUS RPK - TAKI HIP-HOP ( Official Video )
Tube. Duration : 3.37 Mins.
RUFUZ FEAT. BONUS RPK - TAKI HIP-HOP ( Official Video )
RUFUZ FT. BONUS RPK - TAKI HIP-HOP muz.- małach album - TP1 2010 zdjęcia / montaż - 9liter Filmy
RUFUZ FEAT. BONUS RPK - TAKI HIP-HOP ( Official Video )
RUFUZ FEAT. BONUS RPK - TAKI HIP-HOP ( Official Video )
RUFUZ FEAT. BONUS RPK - TAKI HIP-HOP ( Official Video )
RUFUZ FEAT. BONUS RPK - TAKI HIP-HOP ( Official Video )
No URL RUFUZ FEAT. BONUS RPK - TAKI HIP-HOP ( Official Video )
Online Rap and Hip Hop Beat Maker
Picking the right hip hop beat maker or production software is important when you want to start making beats. Some tools are too simple and limits you creativity, while others are too overwhelming and limits your creativity with its excessive complexity.
Online Rap and Hip Hop Beat Maker
TOP 30 Hip Hop en Español // Spanish Hip Hop " Lista de canciones "
Video Clips. Duration : 15.00 Mins.
TOP 30 Hip Hop en Español // Spanish Hip Hop " Lista de canciones "
1.Espectaculo en la cancha(Con Zatu,La gota que colma,El Tralla y Mala Rodriguez) 2.Mucho Muchacho-Sera Mejor 3.Flowklorikos-Volví a ser 4.r de rumba - quieres (kase oy kami) 5.Ya Estamos Muertos(Con Kase-O,Sicario,Capaz,Supernafamacho y Kultama) 6.sfdk - 02 ternera podrida 'shota vs zatu' 7.ZPU Nach-Noches en BCN 8.The Louk -El tiempo pasa 9.Fran T-Verdad(Con Zénit) 10.R de Rumba - Javat y Kamel 11.Falsalarma Tote King Case O - Vete a casa 12.zpu feat shuga wuga ,soma, loren-ciudad maravilla 13.Jota Mayúscula - Dos Minutos (Con Kase O) 14.Danny Jordan Eude y Polako-De Fumeteo 15.ZPU-Camino solo 16.Nos recordaran (con el Imperio y Kultama de VKR) 17.ZPU-Esto va a acabar mal 18.mala rodriguez y poison- poeta de barrio 19.ZPU con Marco Fonktana-Odio y Amor 20.ZPU con Abram Y Suko-Palabras de honor 21.Vinieron a retarme(con Zatu) 22.SFDK & Doble V - Seguimos en linea 23.D´Lujo - Mi madre me dijo a mi 24.Suko - Versos Intimos 25.Zenit-Al final del tunel 26.violadores del verso - haciendo lo nuestro 27.Latex Diamond con. Xcese,Chinaka & High Gambino- 7 Estrellas 28.Nacional e importacion (Con Mala Rodriguez y Zarman) 29.SFDK-El liricista en el tejado 30.Zenit Chojin Zatu-Contra todos
TOP 30 Hip Hop en Español // Spanish Hip Hop " Lista de canciones "
TOP 30 Hip Hop en Español // Spanish Hip Hop " Lista de canciones "
TOP 30 Hip Hop en Español // Spanish Hip Hop " Lista de canciones "
TOP 30 Hip Hop en Español // Spanish Hip Hop " Lista de canciones "
No URL TOP 30 Hip Hop en Español // Spanish Hip Hop " Lista de canciones "
Hip Hop Name Generator - Ever Wonder How They Come Up With Those Crazy Names
At birth, you don't get to choose your name, and it's unlikely your parents made a selection from the hip hop name genre. If you were saddled with something that doesn't suit you, change it. You can change your handle repeatedly to something that describes "the hip hop you" you are or "the rapper you" you want to become! It's quite simple, just use a hip hop nickname generator and represent your inner MC.
Hip Hop Name Generator - Ever Wonder How They Come Up With Those Crazy Names
Toxik trifft - Al-Gear - Biografie - "Ich studiere Humanmedizin im letzten Semester"
Video Clips. Duration : 37.05 Mins.
Toxik trifft - Al-Gear - Biografie - "Ich studiere Humanmedizin im letzten Semester"
★ Rap im Abo: www.youtube.com ★ ► Toxik trifft - Al-Gear - "Alle Rapper sind Spastis" [Interview] www.youtube.com Al-Gears neues Album "Kein Feat. für Spastis" kommt am 9. November 2012 auf den Markt. Wir haben uns mit ihm getroffen und beschäftigen uns mit der Frage, wo der Düsseldorfer groß geworden ist. Wie sah seine Jugend aus? Zudem sprach Al-Gear über seine kriminelle Vergangenheit und seine mehrfachen Gefängnisaufenthalte. Wie uns Al-Gear im Interview mitteilt, studiert er ja "Humanmedizin", befindet sich "im letzten Semester", macht gerade "PJ", also das "praktische Jahr", und arbeitet als "Assistenzarzt in der Uni Jena". Absoluter Bullshit oder ist da wirklich etwas dran? Toxik scheint verunsichert, weshalb Al-Gear die Uni anruft, um Licht ins Dunkel zu bringen -- sagt der sympathische Rapper die Wahrheit? Außerdem erklärt Al-Gear, wie sein Lebensalltag aussieht und gibt zudem Tipps, wie man mit Wetten Geld verdienen kann. Wie er zugibt, hat er das Album ua dadurch finanziert. Was er sonst so neben thailändischen Massagen mit Happy End, Wettbüros und Fussball mag, kannst du dir in seiner Biografie anschauen. ► hiphop.de ► http ► twitter.com tags: "al gear" "kein feat für spastis" release november interview "toxik trifft" "farid bang" "selfmade records" casper capkekz "blackline records" "banger musik" drecksstück alltag nazis integration rap hiphop "hip hop" hiphopde deutschrap urban music street rapping musik "uni jena" humanmedizin
Toxik trifft - Al-Gear - Biografie - "Ich studiere Humanmedizin im letzten Semester"
Toxik trifft - Al-Gear - Biografie - "Ich studiere Humanmedizin im letzten Semester"
Toxik trifft - Al-Gear - Biografie - "Ich studiere Humanmedizin im letzten Semester"
Toxik trifft - Al-Gear - Biografie - "Ich studiere Humanmedizin im letzten Semester"
No URL Toxik trifft - Al-Gear - Biografie - "Ich studiere Humanmedizin im letzten Semester"
Online Rap and Hip Hop Beat Maker
Picking the right hip hop beat maker or production software is important when you want to start making beats. Some tools are too simple and limits you creativity, while others are too overwhelming and limits your creativity with its excessive complexity.
Online Rap and Hip Hop Beat Maker
Dead Island Classes Part 2: Xian Mei Vs. Sam B
Tube. Duration : 5.03 Mins.
Dead Island Classes Part 2: Xian Mei Vs. Sam B
www.youtube.com Click here to watch Versus - Dead Island Classes - Logan vs. Purna! Versus - Dead Island Classes Part 2: Xian Mei Vs. Sam B (S3E28) Join Steve and Larson on the sun splashed and blood soaked beaches of Banoi as they engage in their second debate of Dead Island character classes. This week, we pit blade expert Xian Mei against blunt weapon specialist Sam B. This video will show you... HOW TO put nails in things. HOW TO be blunt. HOW TO run in high heels. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Like Machinima on Facebook! facebook.com Prove your gaming skills on the Respawn Army app therespawnarmy.com FOR MORE MACHINIMA, GO TO www.youtube.com FOR MORE GAMEPLAY, GO TO: www.youtube.com FOR MORE SPORTS GAMEPLAY, GO TO: www.youtube.com FOR MORE MMO & RPG GAMEPLAY, GO TO: www.youtube.com FOR MORE TRAILERS, GO TO: www.youtube.com Tags: Steve Larson Versus VS Machinima "Dead Island" "Banoi" "Palms Resort" "Logan Carter" "Purna" Rage "Fury Mode" Combat Survivial "skill tree" "Bullseye" "Guardian" "Attack Formation" melee "ranged attack" guns revolver knives zombies undead football police cop security "Xian Mei" assassin "blood rage" police China undercover secretary blades "high heels" "Sam B" "hip-hop" "Who Do You Voodoo" blunt weapons Haymaker Techland "Deep Silver" "Xbox 360" "PlayStation 3" PC Microsoft Windows
Dead Island Classes Part 2: Xian Mei Vs. Sam B
Dead Island Classes Part 2: Xian Mei Vs. Sam B
Dead Island Classes Part 2: Xian Mei Vs. Sam B
Dead Island Classes Part 2: Xian Mei Vs. Sam B
No URL Dead Island Classes Part 2: Xian Mei Vs. Sam B
Hip-Hop - Violent and Degrading Lyrics
Hip-Hop music includes violent and abusive lyrics that could possibly mirror other illegal activities used for sexual intent. The music identified as hip-hop verbally violates basic human rights, particularly the rights of women. Excessive and blatant sexual abuse connotations can be found in almost every musical score, as women are portrayed as whores and assets worth no more than existing for man's sexual pleasures. Much of the lyrics in rap songs are abusive and degrading to all women.
Hip-Hop - Violent and Degrading Lyrics
HALT DIE FRESSE - 04 - NR. 217 - MILONAIR (OFFICIAL HD VERSION AGGRO TV)
Video Clips. Duration : 3.58 Mins.
HALT DIE FRESSE - 04 - NR. 217 - MILONAIR (OFFICIAL HD VERSION AGGRO TV)
HALT DIE FRESSE mit MILONAIR aus Hamburg. MILONAIR: www.facebook.com AGGRO.TV: www.aggro.tv http www.twitter.com www.tiny.cc AGGRO SHOP: www.downstairs.com
HALT DIE FRESSE - 04 - NR. 217 - MILONAIR (OFFICIAL HD VERSION AGGRO TV)
HALT DIE FRESSE - 04 - NR. 217 - MILONAIR (OFFICIAL HD VERSION AGGRO TV)
HALT DIE FRESSE - 04 - NR. 217 - MILONAIR (OFFICIAL HD VERSION AGGRO TV)
HALT DIE FRESSE - 04 - NR. 217 - MILONAIR (OFFICIAL HD VERSION AGGRO TV)
No URL HALT DIE FRESSE - 04 - NR. 217 - MILONAIR (OFFICIAL HD VERSION AGGRO TV)
Music History - Hip Hop, Rap, R&B
In the early 1970s, the cultural movement of hip hop music was born. Hip hop's fast paced music style is made of two parts; the rhythmic delivery of rap and the use ofinstrumentation by a DJ. Hip hop music also brought with it a fashion of its own, the fashion helped to represent this newly created music.
Music History - Hip Hop, Rap, R&B
GREEK HIP HOP RNB | ETSI | Barrice & Bizzy Boo - Aplo | Get Low REMIX
Video Clips. Duration : 2.47 Mins.
GREEK HIP HOP RNB | ETSI | Barrice & Bizzy Boo - Aplo | Get Low REMIX
Find us @ FACEBOOK www.facebook.com Follow us @ TWITTER www.twitter.com Gia na katevaste ola ta kommatia mas: rapidshare.com www.myspace.com www.myspace.com www.myspace.com Etsi Project - Barrice & Bizzy Boo - Aplo (Get Low Remix in Greek) - Greek Hip Hop RnB ΑΣΕ...
GREEK HIP HOP RNB | ETSI | Barrice & Bizzy Boo - Aplo | Get Low REMIX
GREEK HIP HOP RNB | ETSI | Barrice & Bizzy Boo - Aplo | Get Low REMIX
GREEK HIP HOP RNB | ETSI | Barrice & Bizzy Boo - Aplo | Get Low REMIX
GREEK HIP HOP RNB | ETSI | Barrice & Bizzy Boo - Aplo | Get Low REMIX
No URL GREEK HIP HOP RNB | ETSI | Barrice & Bizzy Boo - Aplo | Get Low REMIX
The Hip Hop Urban Culture
Hip hop music is part of hip hop culture predominately among African Americans and Latinos (the other two elements are graffiti art and breakdancing). The reasons for the rise in hip hop music are found in the changing urban culture in the United States in the 1970's. Beginning in the 1980's, hip hop culture began its spread across the world. By taking the time to explain a fertile culture expression, students of hip hop music place at our disposal some of the most intriguing investigations of a powerful art form.
The Hip Hop Urban Culture
Royalty Free HipHop - Sky Rizzo - Dude
Video Clips. Duration : 3.58 Mins.
Royalty Free HipHop - Sky Rizzo - Dude
Today we have another sick royalty free hiphop song by Sky Rizzo! This guy is absolutely amazing, make sure you swing in on his SoundCloud and thank him for giving you this track for free! Don't forget that like with all our promoted tracks you must give credit to the artist if you reuse this song in your videos! In the case of partnered channels we suggest you contact the artist at the links below to obtain documented permission for your records. ROYALTY FREE WHEN USED IN YOUTUBE VIDEOS ONLY Contact the Artist if you wish to license this music for radio or television use! ♫ Support the Artist! [Sky Rizzo] Soundcloud: bit.ly Facebook: on.fb.me YouTube: bit.ly Twitter: bit.ly ♫ Download! Artists Link - bit.ly Get the Video! - on.fb.me FreebieFM Link - on.fb.me ♫ Check out our partner channels! www.youtube.com www.youtube.com ツ Like us on Facebook? on.fb.me ツ Follow us on Twitter? bit.ly ... ♫ FreebieFM ♫ ...
Royalty Free HipHop - Sky Rizzo - Dude
Royalty Free HipHop - Sky Rizzo - Dude
Royalty Free HipHop - Sky Rizzo - Dude
Royalty Free HipHop - Sky Rizzo - Dude
No URL Royalty Free HipHop - Sky Rizzo - Dude
Hip-Hop Isn't Dead-But It's Dying-Here's 10 Reasons Why
1. Everybody wants to be a gangsta
Hip-Hop Isn't Dead-But It's Dying-Here's 10 Reasons Why
Gamer's Paradise - Doom Dungeon (Legend of Zelda Remix)
Tube. Duration : 4.97 Mins.
Gamer's Paradise - Doom Dungeon (Legend of Zelda Remix)
A remix of a NES classic...Hope you enjoy! :D You can also add me on Facebook: www.facebook.com Twitter: twitter.com Also check out the Music: Breakout (Original Album): 210lg.bandcamp.com Gamer's Paradise vol. 1: www.datpiff.com Gamer's Paradise vol. 2: www.datpiff.com EXTRA TAGS...
Gamer's Paradise - Doom Dungeon (Legend of Zelda Remix)
Gamer's Paradise - Doom Dungeon (Legend of Zelda Remix)
Gamer's Paradise - Doom Dungeon (Legend of Zelda Remix)
Gamer's Paradise - Doom Dungeon (Legend of Zelda Remix)
No URL Gamer's Paradise - Doom Dungeon (Legend of Zelda Remix)
A remix of a NES classic...Hope you enjoy! :D You can also add me on Facebook: www.facebook.com Twitter: twitter.com Also check out the Music: Breakout (Original Album): 210lg.bandcamp.com Gamer's Paradise vol. 1: www.datpiff.com Gamer's Paradise vol. 2: www.datpiff.com EXTRA TAGS...
Keywords:
There used to be all kinds of MCs rhyming about all aspects of life. Hip-Hop used to be fun. Hip-Hip used to be social conscious. Hip-Hop used to political and militant. Hip-Hop used to be grown and sexy before Jay-Z made the phrase popular on his song, "Excuse me Miss".
Hip Hop
Hip-Hop Isn't Dead-But It's Dying-Here's 10 Reasons Why
Hip-Hop has always been gangsta. Many credit Schoolly D with making the first Gangsta rap record, "P.S.K." Ice-T came out with "6 N in the morning". Boogie Down Productions released "Criminal Minded". And how could anyone fail to mention "the most dangerous group", N.W.A. and their infamous classic record, "Straight Outta Compton".
Hip-Hop Isn't Dead-But It's Dying-Here's 10 Reasons Why
What I'm saying is that Gangsta rap is not new and most of the so-called gangsta rap acts nowadays all sound the same (regardless of where they're from) and are not nearly as good and cutting edge as the pioneers of that sub-genre within Hip-Hop.
Bottom-line: Hip-Hop needs to diversify by returning to its true tradition of telling stories that reflect a variety of perspectives and not just the same ol', same ol', "shoot 'em up, bang, bang" mentality and lifestyle.
2. Hip-Hop is driven more by commercial success than cultural integrity
Hip-Hop is no longer a culture, it's a business. But the truth is Hip-Hop is indeed a culture that has been commercialized, therefore, compromised. Corporate America, whether you're talking about corporate-owned record labels, magazines or cable channels, are in complete control of Hip-Hop.
Hip-Hop is big business and is making a lot of people a lot of money. But how many of those who profit from Hip-Hop are actually true to the preservation of the culture? And how much of the profits are being recycled back in the communities all over the world that gave birth, raised and praise the culture like a proud parent?
Bottom-line: Hip-Hop, as a culture, needs to be resurrected and moved forward in having an impact on the world socially, politically, religiously, economically and not just exploited to make greedy opportunists rich.
3. BEEF
Let me start out by saying that there is a big difference between "beef" and "battling". Beef is what happens on the streets and even in the boardroom. Battling is competition; what happens in sports for example and of course Hip-Hop music. Battling is the foundation of MC'ing.
Battling separates the thorough MCs from the "Sucker MCs". There have been legendary "battles" throughout Hip-Hop history; KRS-ONE & BDP vs. MC Shan & The Juice Crew, L.L. Cool J vs. Kool Moe Dee to name a couple.
But beef is another whole can of "words". Beef can (and has) spread outside of records and onto the streets. Beef, real beef, is about more than words. Beef can be dangerous and should be taken serious. Beef is dangerous to Hip-Hop because it damages the culture's credibility and hinders its true intent. Hip-Hop as a culture and rap as a form of music was not founded on "greasy talk" and violence.
Bottom line: Beef may garner some publicity and sometimes, tragically claim lives but it does nothing to uplift Hip-Hop culture and the communities it represents.
4. The most popular MCs are often the most overrated
You can ask today's average fan to list their 10 favorite MC's and at least half of the ones they name are average at best or downright wack. The MCs who get the most attention in radio, print and television are often not MCs at all; they're rappers, or I guess you can say, entertainers that rap. Your favorite rapper may have a hit song getting 100's of spins a day on the radio but that doesn't necessarily mean that he or she is a true MC.
Most rap songs played on the radio are the weakest lyrically. Most of the elements of Hip-Hop are completely absent from the music videos that serve as a visual for the songs. These entertainers benefit from a variety of factors that put them at the forefront of Hip-Hop. But often lyrical prowess is not one of these factors. Meanwhile many of the best MCs that have mastered the art of MC'ing (see #9) receive little to no promotion from corporate America and their great talents are heard and witnessed by few.
Bottom line: True MCs who are in the game for the love of it should be more visible and the more popular MCs who dominate the charts and grace the covers of magazines should challenge themselves and be challenged to step their rhyme game up.
5. Hip-Hop journalism needs to step their game up
I'm a writer. I grew up an avid reader of Hip-Hop themed publications. There was a time when I thoroughly enjoyed reading these publications waiting anxiously for the new issues to hit the newsstand or be delivered in my mailbox.
But the last 5 years or so, the "Hip-Hop press" has let the culture down. For example, the two biggest and most successful magazines (I won't name them. You know...) in my opinion have perpetuated, instigated and contributed to pushing on-going beefs between rap crews. And these publications themselves have engaged in on-going beefs between each other!
This doesn't happen in other publications unless you're talking about the tabloids. And if it does happen within other publications, the ramifications are not as detrimental to the overall well being of the "profiles" featured in their pages or the readers of their publications.
Plainly, the Hip-Hop press has a responsibility to the culture it covers. It should challenge the culture while celebrating it. The Hip-Hop press shouldn't lower their journalistic standards or "dumb down" just to sell magazines. I hate to say this, but some of the best pieces I've read on Hip-Hop have come from mainstream publications which really have no authority to speak on matters of Hip-Hop.
Bottom line: At times, the Hip-Hop press comes across cartoon-ish and for many of us that grew up in Hip-Hop, we expect and deserve better. The younger generation of Hip-Hop desperately need better (even if they don't realize it). There are great writers within our culture but we all must present Hip-Hop in a shining light while being objective. The Hip-Hop press has a credibility problem (and I ain't talking about street cred).
6. Radio & TV has yet to step their game up
Radio and television programming as it relates to Hip-Hop is wack. The most popular Hip-Hop show on TV (You know what I'm talking about) is the wackest. And it's not because of the hosts or the young, ill informed audience. The blame could be spread across the board between the producers and the corporate companies who are responsible for putting the show on the air.
I don't want to pick on one particular television show. The point is radio and television do a terrible job of how they present Hip-Hop culture to the masses. And, frankly, advertisers don't care; all they want are the eyeballs to whatever they're peddling.
Bottom line: Radio & Television need to create more formats and programming that celebrate all the elements of Hip-Hop so that more eyes and ears will see and hear the many faces and sounds of Hip-Hop and not just the often negative stereotypical stuff.
7. The younger generation doesn't know or acknowledge the pioneers of the game
When I was a teenager, I loved Big Daddy Kane but I also loved and appreciated the soulful sounds of Marvin Gaye. I was a student of music, fairly knowledgeable about history and not just hung up on the latest song on the radio. Many of my peers were the same way.
On Nas' new record, "Hip-Hop is Dead", one of my favorite songs is "Carry on Tradition" where Nas challenges, "Let's see who can quote a Daddy Kane line the fastest." The younger generation need to be more informed about Hip-Hop pre-2004. I love fire-spittin', Lil' Wayne, or the charismatic, T.I., but there's been a lot of Hip-Hop before the new school or next school of Hip-Hoppers.
I've always said that the pioneers of the game don't get the proper platform that they deserve. That's why I like VH1's Hip-Hop Honors. It's not the best way to pay tribute to the MCs of the past but at least the producers are trying.
Bottom line: The pioneers of the game paved the way for the MCs that you see now. The MCs of today, radio, television, print and just the average Hip-Hopper on the street should pay homage to the legends. The culture has a history and that history is the foundation from which the future of Hip-Hop should be built upon.
8. Live performances are loud, crowded and wack
You might be a hardcore Hip-Hop fan but you'll have to admit that the live Hip-Hop performance is awful. It hasn't always been this way. As a matter of fact, in its short history, Hip-Hop is known for its performance element. There have been great performers within Hip-Hop and many of these performances were witnessed in the park before they reached the Grammy stage.
Nowadays, MCs just don't have a clue of what it takes to satisfy an audience. There's so much wrong with Hip-Hop performances today. The music is too loud. There are way too many people on stage. MCs are too cool or too tough to dance or simply groove with the music. The stage show just lack true excitement and creativity. Often what you have is a bunch of guys on stage as if they're standing on a street corner. Is that the best they can come up with? I think not.
Bottom line: MCs haven't shown true Hip-Hop heads nothing if they can't put on a solid show. MCs spend a lot of time on the road bringing their music to the people but they really need to spend more time working on their performance when they hit the stage.
9. "Real" MC'ing is a lost art
If I had to come up with a percentage, I would say that only about 25% of MCs today can actually rhyme. Some have very little skill at all. The MCing element within Hip-Hop is the most celebrated but the least mastered. Now I love beats and I get hooked on a catchy hook, but back in the day, when I heard a record, I zeroed in on the MC. If he or she couldn't rhyme, my ears closed quickly.
Too many songs are chorus/hook and basically nothing else. The MC really is the voice of the culture. What is said and how it's said is important. A MC should be able to articulate his or her message clearly and skillfully. A real MC would not compromise his or her lyrical prowess to make a hit record. Jay-Z, for example, has made many hits and yet he rarely disappoints lyrically. Biggie was like this as well.
Bottom line: MCs of today should study the MCs of the past and the great ones that are still doing their thing. These MCs are the true masters of wordplay.
10. The ladies are being denied the opportunity to shine and continue to be degraded and pushed to the background.
The women of Hip-Hop still haven't gotten their due. We can talk about any other music genre and some of its biggest names are females. Maybe it's the nature of Hip-Hop and rap music. But to have that position would be selling Hip-Hop culture short.
If you think back, women have been celebrated in Hip-Hop. Now too much of Hip-Hop degrades its own women just for the sake of doing so. Hip-Hop rarely makes the distinction between a bitch and a lady anymore. Bitch or Hoe are two words that have seemed to officially replace the words woman, lady or girl in the Hip-Hop lexicon.
Whatever happened to calling a woman a chick or honey?
Some feminists wouldn't like those terms but at least they're spoken as a compliment to women. Most women are offended by being referred to as a bitch or a hoe. Of course, nowadays some women embrace these derogatory terms, seeing themselves in this way and calling one another by these names.
But I won't simply dwell on how men treat women in Hip-Hop. That's a record that's been played many times. I agree with those who say that the degradation of women in Hip-Hop is influenced by society's treatment of women. But Hip-Hop could also be a leading influence in changing that.
What I'm really troubled by as far as women, is the fact that there are just not enough females in the game on the mic. Who's representing for the ladies? I don't mind saying that some of my favorite MCs are females. MC Lyte, Queen Latifah, Lauryn Hill...these ladies and others are great MCs in their own right. Foxy Brown and Lil' Kim both can go toe to toe lyrically with anybody in the game; past and present!
Bottom line: Hip-Hop needs to uplift our women more oppose to holding them down. There needs to be more females MCs in the game to represent all aspects (not just the "baddest bitch" perspective) of being women within Hip-Hop culture.
Hip-Hop Isn't Dead-But It's Dying-Here's 10 Reasons Why
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More than a musical style, hip-hop is a history of American culture, and a testimony by its artists of their life experiences. In 1985, when Run-DMC ordained themselves the "Kings of Rock," in their lyrics of their hit song of the same name, they probably never imagined that one day they would be recognized as such. As the pioneers of hip-hop music, they convinced the world to dance to poetry with a beatbox. They invited anyone who would listen to "Walk This Way" in "My Adidas," all the way to the top of VH1's list of the "50 Greatest Hip-Hop Artists." And in the words of the great Run-DMC themselves, "It's like that! And that's the way it is! Huh!"
Hip Hop
The Hip Hop Urban Culture
VH1's "50 Greatest Hip-Hop Artists" serves as a platform for hip-hop music's superstars of the past, present and future to acknowledge their hip-hop peers. Proof that hip-hop music has woven itself into the fabric of American music and culture.
The Hip Hop Urban Culture
"50 Greatest Hip-Hop Artists" features archival clips, classic performances and exclusive interviews with the some of the world's greatest entertainers. It also represents VH1's recognition of hip-hop music as a significant music form and the integration of the genre into our music programming repertoire.
The lyrics found in hip hop music are expressions that are linked with cultural and societal feelings of an individual. Hip hop lyrics are known for their conversational quality. Hip hop lyrics are used to teach stylistic features, imagery, assonance, alliteration, rhythmic structure and rhyme are taught while basic literacy (vowels, consonants, blends, syllables and spelling) is embedded.
Hip hop lyrics typically employ inner-city slang with poetic devices such as alliteration, assonance and rhyme. The slang of hip hop lyrics may include words like, yo, dis, flow, phat and homie. Hip hop lyrics have been likened to what rock music lyrics used to be, and in some cases have taken the place of rock and folk songs within the culture. Hip hop lyrics contain many references that the listeners can relate to. Hip hop lyrics that tell of excess wealth and luxury of artists may connect to a group of individuals with such dreams.
As in the language, hip hop lyrics are poetry, but poetry with something more added to it. Some hip hop lyrics are extremely articulate in that they express a certain subject in a different form. Though it is true that many hip hop lyrics are slang it is also true that much of our commonly spoken language is slang and sometimes vulgar. Hence, allowing us to see that there is a difference between descriptive and prescriptive language.
Adding to the hip hop music and song lyrics, dancing is another element of the hip hop culture better known as the hip hop dance style. Hip hop dance is a collaborative movement that continually grows and evolves through individual improvisation. Hip hop dance is an art form that has the nation and world trying to one-two step or breakdance to krumping.
Hip hop music and dancing, or breaking, rose in the 1970's and 1980's, centered on urban communities of young dancers and musicians and their popular culture.
Hip hop dancing continues to evolve into many different forms today, heavily influenced by the evolution of music and its popularity in the media.
Hip-hop is a strenuous dance style that involves using the entire body to create sharp, expressive movements. As in all dance forms, hip hop dance is a technique with defined steps and movements that must be learned and practiced.
Hip hop music is a popular style of music. It is everywhere from commercials to television sitcoms. Hip hop culture and music range from those akin to mainstream popular music to the blues version of the human condition. There is a big influence of R&B in the hip hop music industry that provides an exhilarating experience to the listener. This urban culture is sweeping the world in music, movies and clubs. It is truly an American minority creation which deserves more credit and recognition as an art form rather than as a fad which should just fade away with time.
The Hip Hop Urban Culture
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Hip hop music has its roots from West African music and African-American music. The first rap song to be put onto a vinyl record was, "Rapper's Delight", a song by the Sugarhill Gang back in the 1970s. This is when block parties started becoming the norm in New York City, which gave hip hop and rap the chance to explode in popularity. Hip hop's instrumentation came from funk, R&B, and disco, when combined together make this dynamic type of music. When the DJs at these block parties learned what the people liked, they began mixing these vinyl records and created music that played continuously with amazing transitions between
songs. Hip hop was actually created by a DJ named Kool Herc, a Jamaican that had moved to the United States with a style that consisted of mixing music by using two copies of the same record. Many of the poor Jamaican's in the town could not afford vinyl records, so huge stereo systems were set up so that many could here the rhythmic beats. These stereo systems were the kick-off for the beginning of the
evolution of block parties. So with the musical talent of these amazing DJs, with the use of vinyl record mixing, the culture of hip hop and rap music was born.
Hip Hop
Music History - Hip Hop, Rap, R&B
History of R & B
Music History - Hip Hop, Rap, R&B
R&B, which stands for Rhythm and Blues, was the greatest influence on music around the world for most of the 20th century's second-half. Rhythm and Blues is a term with a broad sense, but typically recognizing black-pop music. This type of music was introduced to the world by artists' combining the music styles of jazz and blues. R&B is actually what was later developed into what we know as rock and roll. In the 1970s, the term R&B was being used to describe soul and funk music styles, which today we know it describes Rhythm and Blues. Along with being influenced by jazz and blues, R&B also had influences from gospel and disco music. Disco's downturn in the 1980s opened the door for R&B to truly take-off in popularity.
Music History - Hip Hop, Rap, R&B
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Hip-Hop is a manifestation and spin on exploitation of African-American and Latino-American youth, and is often considered to have sexism and misogyny attributes. New York City blacks and Latino youths originally started the hip-hop culture, with included rapping, deejaying, break-dancing and graffiti-writing. But, it has evolved into something much more than just local expressions.
Hip Hop
Hip-Hop - Violent and Degrading Lyrics
Hip-Hop is a lifestyle for many people between the ages of 13 and 30. It involves music, videos, fashion, club-scenes, and the ways that young people interact with each other. The media has embraced and adopted the hip-hop culture, as well as big corporations, such as Coca-Cola and Burger King. Versions of hip-hop can be found in marketing media and corporate advertisements. The Brooklyn Museum of Art even has an exhibit dedicated to hip-hop culture.
Hip-Hop - Violent and Degrading Lyrics
The most influential part of hip-hop has become known as rap music. Rap music is a form of poetry, recited over musical instrumentation. Many consider rap music to be brutally honest, violent, and misogynistic. But to others, the violence to and hatred of women appears blatant and offensive.
Much of rap music portrays black women in negative images. The hip-hop culture views all women, but mostly black women, as sex objects. Most hip-hop videos show women dancing or displayed in explicit sexual poses, clothed in bikinis (or less), with the focus on their body parts. The images go hand in hand with the explicit language that suggest women are nothing more than sex objects or money-generating commodities. Many rappers describe themselves as 'pimps' and women as second-class and sexual commodities. Many rap songs, not only, glorify the pimp lifestyle, and refer to women in ways a pimp might describe their prostitutes, but the lyrics promote violence to women that "disobey."
Of course, not all rap music is misogynistic, and not all black men think of women in this light, but large percentages within the hip-hop culture do. The name calling in the rap music dishonors, disrespects, and dehumanizes women. When society accepts labeling women in this manner, will physical and psychological abuse become acceptable? Unfortunately, many black men battle racism or oppression within hip-hop culture, and have been conditioned to distrust intrusive feelings of trust and love.
Many women consent to these collaborations, and believe racism or subjugation are viable excuses or justification for the practice of degrading and exploitation of women. The numbers of women that show up for unpaid try-outs for video shoots indicate that significant amounts of hip-hop consumers are women. Groups of women can be seen loitering in concert backstage areas, expressing their willingness to perform sexually in return for money and jewelry, or perhaps realize a feeling of being wanted.
Black women have, historically, been used as sex instruments, and continue to fight for power and material wealth. When slavery was legal and rampant, black women were routinely sexually abused by any man that wanted her. They could be used for breeding purposes and create more slave trade for their owners. Black women, also, used sex in order to lower chances of cruel treatment by the slave masters. They were paying with their bodies to survive and achieve better treatment within the uncontrolled, abusive slave life.
Black women emerged out of slavery as oversexed and promiscuous. Some viewed themselves as society dictated, and believed they did not have control over their bodies. As they tried to fit into white societies, some black men wanted the women to be employed in subordinate roles in a white household; while some black women wanted the men to acquire jobs and be the sole provider. Hip-hop culture displays similar oppressive obsessions. Some black women prefer to use sexual powers to reap economical gain. And, many black men have learned how to manipulate women by using money. In order for many black women to get what they want, they accept mistreatment and allow themselves to be exploited through hip-hop images.
Sometimes black women are uneducated and have no job skills. Many believe their bodies are all they have to offer to gain status. Many dysfunctional relationships can be found within the hip-hop culture. Some women believe men are instruments of use to gain access to money; some men think women are only have value when it comes to sexual gratification.
Would censoring hip-hop music and lyrics be an answer? Perhaps, the solution would be to change the hip-hop society and ideology by discontinue negative and misogynistic lyric promotion. But, the first step to change gender relations within the hip-hop community is education. People need to be made aware of the negative and derogatory connotations that continue to violate women's rights, in sexist lyrics, physical interactions, and at hip-hop gatherings. But, of course, people need to be receptive to the devastating results that violating human rights cause, and be willing to change.
Are human flesh traders alive and well in the United States? Of course, we all know trafficking women is illegal, but considering the more than 45,000,000 dating websites on the Internet, is this a modern legal tool that continues the exploitation of women?
Speaking out against exploitation of women in hip-hop cultures, and for women everywhere, can help change ideologies. But, if women are not interested or willing to stop exploitation tactics, they will continue to be used and considered as just sexual instruments.
Although women have come very far, their work is not finished, and they have a long way to go before equality will be realized.
Hip-Hop - Violent and Degrading Lyrics
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There are a lot of beat makers available on the market. You have the MPC that works even without the computer; you have tools you need to install and online tools that let you work on their server.
Some of these are more complex than others.
Hip Hop
Online Rap and Hip Hop Beat Maker
If you are an experienced producer I would recommend you try the different software systems for installation. I do have not much experience with these types of tools myself, as I have only been making hip hop beats for a year. I have tried to work with a few of them and it was very confusing.
Online Rap and Hip Hop Beat Maker
Personally I prefer an online rap and hip hop beat system. While not as complex as the ones you have to install, they let you start right away making beats. However, there are some important elements you need to consider before investing in such a system.
What to Consider When Choosing an Online Hip Hop Beat Maker
The first thing you need to look into is the ease of use. If it is too advanced you will be spending weeks if not months trying to get a grasp on what everything on the beat maker can do for you. More often than not, you will get confused and eventually give up.
On the other hand you need to ensure yourself that the online beat production system will not limit you when you are working on your hip hop beats. If the beat maker has too few instruments or beat elements you can often be limited in making the hip hop beat the way you imagined it to be.
The beat maker also needs to be advanced enough. Does it have enough track sequencers for your need? Can you adjust the tempo of the beat or the sound of each track line?
A great online hip hop beat maker also needs to give you the option to record using a piano or pad function.
Online Rap and Hip Hop Beat Maker
★ Rap im Abo: www.youtube.com ★ ► Toxik trifft - Al-Gear - "Alle Rapper sind Spastis" [Interview] www.youtube.com Al-Gears neues Album "Kein Feat. für Spastis" kommt am 9. November 2012 auf den Markt. Wir haben uns mit ihm getroffen und beschäftigen uns mit der Frage, wo der Düsseldorfer groß geworden ist. Wie sah seine Jugend aus? Zudem sprach Al-Gear über seine kriminelle Vergangenheit und seine mehrfachen Gefängnisaufenthalte. Wie uns Al-Gear im Interview mitteilt, studiert er ja "Humanmedizin", befindet sich "im letzten Semester", macht gerade "PJ", also das "praktische Jahr", und arbeitet als "Assistenzarzt in der Uni Jena". Absoluter Bullshit oder ist da wirklich etwas dran? Toxik scheint verunsichert, weshalb Al-Gear die Uni anruft, um Licht ins Dunkel zu bringen -- sagt der sympathische Rapper die Wahrheit? Außerdem erklärt Al-Gear, wie sein Lebensalltag aussieht und gibt zudem Tipps, wie man mit Wetten Geld verdienen kann. Wie er zugibt, hat er das Album ua dadurch finanziert. Was er sonst so neben thailändischen Massagen mit Happy End, Wettbüros und Fussball mag, kannst du dir in seiner Biografie anschauen. ► hiphop.de ► http ► twitter.com tags: "al gear" "kein feat für spastis" release november interview "toxik trifft" "farid bang" "selfmade records" casper capkekz "blackline records" "banger musik" drecksstück alltag nazis integration rap hiphop "hip hop" hiphopde deutschrap urban music street rapping musik "uni jena" humanmedizin
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Hip Hop artists rarely use their birth given names, with the exception of Kanye West, Missy Elliot, Rick Ross, Paul Wall, and Will Smith (formerly Fresh Prince). Rather than inventing something catchy and obscure for the masses to shout out during concerts, the aforementioned artists were deceptively clever by leaving no room for mistaken identity. By doing so, they may have missed some of the fun. Lucky for them they too can participate in creating the many possibilities their rap names could have been with a hip hop nickname generator.
Hip Hop
Hip Hop Name Generator - Ever Wonder How They Come Up With Those Crazy Names
Other well known hip hop artists are often referred to by pseudonyms that match their bigger than life characters. Speaking of big, you may be familiar with rap superstars like "Biggie Smalls" AKA "Notorious B.I.G.", "Big Pun", or "Chub Rock"(may they rest in peace). Let's not forget the very much alive overweight lover, "Heavy-D".
Hip Hop Name Generator - Ever Wonder How They Come Up With Those Crazy Names
If you are of a more slender or petite stature, perhaps, "MC Lyte", "Lil Kim", "Lil Romeo" or "Lil Wayne" hit closer to home.
The indecisive may change names as much as "Puff Daddy", I mean, "Puffy", I mean "P-Ditty", no "Ditty", or is it just plain "Puh" (the sound that the letter P makes)?
Regardless of the sometimes obvious, or other times unusual story behind the name and its meaning, hip hop artist names are fun to hear and even more fun to create. You may not be as good of a freestyler, or as hard-core as some of the hypest Gangsta rappers, but you can build an honorable handle with a hip hop nickname generator.
If you still have no clue what hip hop nickname will best suit you, consider the following categorized names of popular rap artists.
Those with royal or respectable titles:
o Queen Latifah
o Sir Mix-a-lot
For the animal lovers:
o Snoop Dog
o Bow-Wow
Simply Initials:
o T.I.
o DMX
o DMC (of Run DMC)
Just Plain Fun:
o Timbaland
o Nelly
o Daddy Yankee
Making a Statement:
o Eminem
o Common
o Tu-Pac
o Nas
Flavors:
o Flava Flav
o Vanilla Ice
o Salt-N-Pepa
Confident:
o Mos Def
o LL Cool J (also initials)
o Fabulous
Stands-Alone:
o Jay-Z
Whether the information you input generates initials, animal references, tasty flavors or something Ludacris, lean with it, rock with it and have fun using a hip hop nickname generator to create your artist name and Bust-a Rhyme (...s).
Hip Hop Name Generator - Ever Wonder How They Come Up With Those Crazy Names
1.Espectaculo en la cancha(Con Zatu,La gota que colma,El Tralla y Mala Rodriguez) 2.Mucho Muchacho-Sera Mejor 3.Flowklorikos-Volví a ser 4.r de rumba - quieres (kase oy kami) 5.Ya Estamos Muertos(Con Kase-O,Sicario,Capaz,Supernafamacho y Kultama) 6.sfdk - 02 ternera podrida 'shota vs zatu' 7.ZPU Nach-Noches en BCN 8.The Louk -El tiempo pasa 9.Fran T-Verdad(Con Zénit) 10.R de Rumba - Javat y Kamel 11.Falsalarma Tote King Case O - Vete a casa 12.zpu feat shuga wuga ,soma, loren-ciudad maravilla 13.Jota Mayúscula - Dos Minutos (Con Kase O) 14.Danny Jordan Eude y Polako-De Fumeteo 15.ZPU-Camino solo 16.Nos recordaran (con el Imperio y Kultama de VKR) 17.ZPU-Esto va a acabar mal 18.mala rodriguez y poison- poeta de barrio 19.ZPU con Marco Fonktana-Odio y Amor 20.ZPU con Abram Y Suko-Palabras de honor 21.Vinieron a retarme(con Zatu) 22.SFDK & Doble V - Seguimos en linea 23.D´Lujo - Mi madre me dijo a mi 24.Suko - Versos Intimos 25.Zenit-Al final del tunel 26.violadores del verso - haciendo lo nuestro 27.Latex Diamond con. Xcese,Chinaka & High Gambino- 7 Estrellas 28.Nacional e importacion (Con Mala Rodriguez y Zarman) 29.SFDK-El liricista en el tejado 30.Zenit Chojin Zatu-Contra todos
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There are a lot of beat makers available on the market. You have the MPC that works even without the computer; you have tools you need to install and online tools that let you work on their server.
Some of these are more complex than others.
Hip Hop
Online Rap and Hip Hop Beat Maker
If you are an experienced producer I would recommend you try the different software systems for installation. I do have not much experience with these types of tools myself, as I have only been making hip hop beats for a year. I have tried to work with a few of them and it was very confusing.
Online Rap and Hip Hop Beat Maker
Personally I prefer an online rap and hip hop beat system. While not as complex as the ones you have to install, they let you start right away making beats. However, there are some important elements you need to consider before investing in such a system.
What to Consider When Choosing an Online Hip Hop Beat Maker
The first thing you need to look into is the ease of use. If it is too advanced you will be spending weeks if not months trying to get a grasp on what everything on the beat maker can do for you. More often than not, you will get confused and eventually give up.
On the other hand you need to ensure yourself that the online beat production system will not limit you when you are working on your hip hop beats. If the beat maker has too few instruments or beat elements you can often be limited in making the hip hop beat the way you imagined it to be.
The beat maker also needs to be advanced enough. Does it have enough track sequencers for your need? Can you adjust the tempo of the beat or the sound of each track line?
A great online hip hop beat maker also needs to give you the option to record using a piano or pad function.
Online Rap and Hip Hop Beat Maker
RUFUZ FT. BONUS RPK - TAKI HIP-HOP muz.- małach album - TP1 2010 zdjęcia / montaż - 9liter Filmy
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The truth is that hip hop celebrities always generate money. Russell Simmons, a hip hop mogul, instantly understood that the equation is simple when it comes to hip hop: clothes + hip hop = money. Therefore, he started manufacturing hip hop clothing lines like Phat Farm, Baby Phat or FUBU. But he didn't stop at this. He hired celebrities like LL Cool J or Alicia Keys to be these clothing lines images.
Hip Hop
How to Dress: Hip Hop Clothes!
But what exactly does hip hop style mean? What items one has to wear to be immediately recognised as wearing hip hop clothes?
How to Dress: Hip Hop Clothes!
Well, the fashion for males has changed lately as P. Diddy came in the picture with new, revolutionary trends. He was the first hip hop icon to wear a flashy white suit with a cap and rich silver jewellery, items which have been previously regarded as being unacceptable for males to wear. But P. Diddy set a new fashion trend, making the white suits with white sneakers and caps become the newest hip hop clothes in town!
But when it comes to female fashion, the style hasn't become slicker; it has relaxed a little due to Missy Elliot's influence. She was the first female hip hop singer to adopt a more relaxed, manly style. Thanks to her attitude polo shirts, funky trainers, trucker caps and man style singlets have been accepted as the new hip hop clothes for women.
In conclusion, how does one get the cool hip hop look? The key element is attitude. Don't be afraid to wear flashy coloured suits, t-shirts with big logos, visors, funky trainers and huge, opulent pieces of diamond-embedded jewellery. The hip hop female look asks for low waist trendy jeans or skirts to bring attention to the hips and for tight tops to accentuate the chest. And remember: the female attitude is always sexy and powerful!
How to Dress: Hip Hop Clothes!
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Fast-forward from the tribes of Africa to the ghettos of Kingston, Jamaica in the late sixties. The impoverished of Kingston gathered together in groups to form DJ conglomerates. They spun roots and culture records and communicated with the audience over the music. At the time, the DJ's comments weren't as important as the quality of the sound system and its ability to get the crowd moving. Kool Herc grew up in this community before he moved to the Bronx.
Hip Hop
The History of Rap and Hip Hop Music
During the late sixties, reggae wasn't popular with New Yorkers. As a DJ, Kool Herc spun rhythm and blues records to please his party crowd. But, he had to add his personal touch. During the breaks, Herc began to speak to his audience as he had learned to do in Jamaica. He called out, the audience responded, and then he pumped the volume back up on the record. This call and response technique was nothing new to this community who'd been reared in Baptist and Methodist churches where call and response was a technique used by the speakers to get the congregation involved. Historians compare it to the call and response performed by Jazz musicians and was very much a part of the culture of Jazz music during the renaissance in Harlem.
The History of Rap and Hip Hop Music
Herc's DJ style caught on. His party's grew in popularity. He began to buy multiple copies of the same albums. When he performed his duties as a DJ, he extended the breaks by using multiple copies of the same records. He chatted, as it is called in dance hall, with his audience for longer and longer periods.
Others copied Herc's style. Soon a friendly battle ensued between New York DJs. They all learned the technique of using break beats. Herc stepped up the game by giving shout-outs to people who were in attendance at the parties and coming up with his signature call and response. Other DJs responded by rhyming with their words when they spoke to the audience. More and more DJs used two and four line rhymes and anecdotes to get their audiences involved and hyped at these parties.
One day, Herc passed the microphone over to two of his friends. He took care of the turn table and allowed his buddies to keep the crowd hyped with chants, rhymes and anecdotes while he extended the breaks of different songs indefinitely. This was the birth of rap as we know it.
Hip-hop has evolved from the days of the basement showdowns to big business in the music industry. In the seventies and eighties, the pioneers and innovators of the rap record was the DJ. He was the guy who used his turntable to create fresh sounds with old records. Then, he became the guy who mixed these familiar breaks with synthesizers to produce completely new beats. Not much has changed in that aspect of hip-hop. The guy who creates the beat is still the heart of the track. Now, we call him the producer. Even though some DJs work as producers as well as DJs (quite a few start out as DJs before they become producers), today's title "DJ" doesn't carry the same connotative meaning it did in the eighties. Today's hip-hop producer performs the same tasks as the eighty's DJ.
The History of Rap and Hip Hop Music
Pace Won and Mr. Green "HIP HOP" The Only Color That Matters Is Green Raw Poetix Records Directed By Phil Sedehi Cinematography by Lucas Pruchnik Edited By Jed I. Rosenberg Here goes some fiction for the heads out thurrrr! Miss Teen usa aka Miss South Carolina could even understand that the Britney Spears is a Stargate alien from the planet Mars or maybe Venus. (I'm not sure) Lil Wayne and Rhianna also concur that these fellas blur the line of reality through art fatality. Mortal Kombat on you Wombats!!! Finish him for breakfast lunch and dinner to see who the winner is on who wants to me a millionare or even chamillionare. I found a billion google type candies worn by a sexy gal named Mandy. She was totally crazy and loved to listen to Swizz Beatz and even Snoop Dogg ! Here's my most favorite tale: One day I saw a cute fat kitten run amok. His name was John and he had a lil sister named Mary Ann Butt Crack and an even smaller sister named Suzy Asscrack. They went to the store to buy a crack rock for Paris Hilton and her boyfriend Oj Simpson. then Johnny Cochran stepped on Suzy and went to court with her parents. Meanwhile, the boy cat from around the corner who went to the same school where the Olsen Twins escaped with 2 girls and one cup, found some hardcore booty shake records from the 90's. He listened to the classic songs yet new they were disrespectful to women. Ergo the Freak in captivity is none other than the new character Tommy with whom all adore. Tom is a wolf ...
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Hip hop dancing is an ideal way to express one's creativeness. It features self impressions and the dances come from the soul. The dancing represents body movements that go with the beat and rhythm of hip hop music. There is breaking, popping, locking, and free styling in hip hop dances. The jumps, breakages, and rotations in the movements are combined in such a way that the dance style becomes an informal and explosive one.
Hip Hop
Hip Hop Dancing
Hip hop dancing is considered a good exercise for those persons who perform these dances. It helps the dancers to improve flexibility, to develop body balance, and to coordinate the muscles. This dance allows the dancers to improve their own style and to remain in good body shape. It also leads the dancers to a state of spiritual wholeness.
Hip Hop Dancing
Hip hop dancing includes many steps and movements that are not present in ballet and ballroom dancing. The jazz, ballet, and other traditional dance forms are technical and require more formal training. There is a term for each and every movement in jazz and ballets. But this is not the case with hip hop dancing and the dancers experience freedom while dancing. The only thing the dancers should have is to become familiar with the dancing technique.
Hip hop dancing can be learned by all those who are interested in dancing. There is no age limitation or restriction for learners and dancers. It is also not necessary that the instructor should be a professional dancer. However, this kind of dance is slightly difficult to learn because of the various body movements.
Hip Hop Dancing
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More than a musical style, hip-hop is a history of American culture, and a testimony by its artists of their life experiences. In 1985, when Run-DMC ordained themselves the "Kings of Rock," in their lyrics of their hit song of the same name, they probably never imagined that one day they would be recognized as such. As the pioneers of hip-hop music, they convinced the world to dance to poetry with a beatbox. They invited anyone who would listen to "Walk This Way" in "My Adidas," all the way to the top of VH1's list of the "50 Greatest Hip-Hop Artists." And in the words of the great Run-DMC themselves, "It's like that! And that's the way it is! Huh!"
Hip Hop
The Hip Hop Urban Culture
VH1's "50 Greatest Hip-Hop Artists" serves as a platform for hip-hop music's superstars of the past, present and future to acknowledge their hip-hop peers. Proof that hip-hop music has woven itself into the fabric of American music and culture.
The Hip Hop Urban Culture
"50 Greatest Hip-Hop Artists" features archival clips, classic performances and exclusive interviews with the some of the world's greatest entertainers. It also represents VH1's recognition of hip-hop music as a significant music form and the integration of the genre into our music programming repertoire.
The lyrics found in hip hop music are expressions that are linked with cultural and societal feelings of an individual. Hip hop lyrics are known for their conversational quality. Hip hop lyrics are used to teach stylistic features, imagery, assonance, alliteration, rhythmic structure and rhyme are taught while basic literacy (vowels, consonants, blends, syllables and spelling) is embedded.
Hip hop lyrics typically employ inner-city slang with poetic devices such as alliteration, assonance and rhyme. The slang of hip hop lyrics may include words like, yo, dis, flow, phat and homie. Hip hop lyrics have been likened to what rock music lyrics used to be, and in some cases have taken the place of rock and folk songs within the culture. Hip hop lyrics contain many references that the listeners can relate to. Hip hop lyrics that tell of excess wealth and luxury of artists may connect to a group of individuals with such dreams.
As in the language, hip hop lyrics are poetry, but poetry with something more added to it. Some hip hop lyrics are extremely articulate in that they express a certain subject in a different form. Though it is true that many hip hop lyrics are slang it is also true that much of our commonly spoken language is slang and sometimes vulgar. Hence, allowing us to see that there is a difference between descriptive and prescriptive language.
Adding to the hip hop music and song lyrics, dancing is another element of the hip hop culture better known as the hip hop dance style. Hip hop dance is a collaborative movement that continually grows and evolves through individual improvisation. Hip hop dance is an art form that has the nation and world trying to one-two step or breakdance to krumping.
Hip hop music and dancing, or breaking, rose in the 1970's and 1980's, centered on urban communities of young dancers and musicians and their popular culture.
Hip hop dancing continues to evolve into many different forms today, heavily influenced by the evolution of music and its popularity in the media.
Hip-hop is a strenuous dance style that involves using the entire body to create sharp, expressive movements. As in all dance forms, hip hop dance is a technique with defined steps and movements that must be learned and practiced.
Hip hop music is a popular style of music. It is everywhere from commercials to television sitcoms. Hip hop culture and music range from those akin to mainstream popular music to the blues version of the human condition. There is a big influence of R&B in the hip hop music industry that provides an exhilarating experience to the listener. This urban culture is sweeping the world in music, movies and clubs. It is truly an American minority creation which deserves more credit and recognition as an art form rather than as a fad which should just fade away with time.
The Hip Hop Urban Culture
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