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Saturday, January 19, 2013

Music History - Hip Hop, Rap, R&B

Music History - Hip Hop, Rap, R&B


ItemTitle

In the early 1970s, the cultural movement of hip hop music was born. Hip hop's fast paced music style is made of two parts; the rhythmic delivery of rap and the use ofinstrumentation by a DJ. Hip hop music also brought with it a fashion of its own, the fashion helped to represent this newly created music.

Music History - Hip Hop, Rap, R&B

Hip Hop

Toxik trifft - Nazar - Narkose! [Interview]



ItemTitle

Video Clips. Duration : 40.70 Mins.



Toxik trifft - Nazar - Narkose! [Interview]



★ Weitere Infos in der Beschreibung! ★ ► Nazar - Lass es beginnen (Snippet) www.youtube.com Narkose vorbestellen: Normale Edition: amzn.to Fakker Edition mit T Shirt Größe S: amzn.to Fakker Edition mit T Shirt Größe M: amzn.to Fakker Edition mit T Shirt Größe L: amzn.to Fakker Edition mit T Shirt Größe XL: amzn.to Toxik hat sich mit Nazar getroffen, um über das kommende Album Narkose zu sprechen. Es geht um Nazars Reisen nach Marokko und Dubai, das dort entstandene Video zu Sandsturm und sein Heimatland Iran. Wie kam es zu den Features auf Narkose, was macht Sido und Silla als Musiker aus? Wie groß war Manuellsens Anteil? Wie verlief der Aufnahmeprozess und welche Tipps kann er jungen Rappern geben? Nazar spricht über Einflüsse aus Amerika und Frankreich - imitiert Deutschrap das Ausland? In welche Richtung geht Narkose, bekommen wir Fakker-Ansagen oder nachdenkliche Poesie? Auch auf persönlicher Ebene haben sich Toxik und Nazar unterhalten und so geht der gebürtige Iraner zum Beispiel auf den Umgang mit Familie und Freunden ein. Ist Nazar privat anders, als er sich in seinen Songs präsentiert? Nazar sagt selbst, dass "er zum Stein gewachsen sei". Wie waren seine Zukunftsperspektiven in der Kindheit? Wie viel Rassismus gibt es in Österreich und Deutschland noch? Nazar - Narkose 1. Intro 2. Prototyp 3. Narkose 4. Repeat 5. Stilles Meer 6. Sandsturm 7. Hochmut kommt vor dem Fall 8. Nicht mit mir feat. Motrip 9. Lost in Translation 10. Labyrinth 11. OZ Interlude 12. 20 ...

Toxik trifft - Nazar - Narkose! [Interview]

Toxik trifft - Nazar - Narkose! [Interview]




Toxik trifft - Nazar - Narkose! [Interview]

Toxik trifft - Nazar - Narkose! [Interview]

No URL Toxik trifft - Nazar - Narkose! [Interview]

Hip-Hop - Violent and Degrading Lyrics


ItemTitle

Hip-Hop music includes violent and abusive lyrics that could possibly mirror other illegal activities used for sexual intent. The music identified as hip-hop verbally violates basic human rights, particularly the rights of women. Excessive and blatant sexual abuse connotations can be found in almost every musical score, as women are portrayed as whores and assets worth no more than existing for man's sexual pleasures. Much of the lyrics in rap songs are abusive and degrading to all women.

Hip-Hop - Violent and Degrading Lyrics

Hip Hop

Toxik trifft - Toxik trifft Farid Bang: Sport und Rap [Interview] 1/4



ItemTitle

Video Clips. Duration : 19.67 Mins.



Toxik trifft - Toxik trifft Farid Bang: Sport und Rap [Interview] 1/4



Mehr davon hier: hiphop.de facebook.com/wwwhiphopde twitter.com facebook.com/Toxik.Kargoll twitter.com Pünktlich zum Release von Der letzte Tag deines Lebens, hat sich Toxik mit Farid Bang im Ring getroffen. Nach einem sportlichen Anfang geht es natürlich um Rap. Wie wird Farid verhindern,...

Toxik trifft - Toxik trifft Farid Bang: Sport und Rap [Interview] 1/4

Toxik trifft - Toxik trifft Farid Bang: Sport und Rap [Interview] 1/4




Toxik trifft - Toxik trifft Farid Bang: Sport und Rap [Interview] 1/4

Toxik trifft - Toxik trifft Farid Bang: Sport und Rap [Interview] 1/4

No URL Toxik trifft - Toxik trifft Farid Bang: Sport und Rap [Interview] 1/4




Mehr davon hier: hiphop.de facebook.com/wwwhiphopde twitter.com facebook.com/Toxik.Kargoll twitter.com Pünktlich zum Release von Der letzte Tag deines Lebens, hat sich Toxik mit Farid Bang im Ring getroffen. Nach einem sportlichen Anfang geht es natürlich um Rap. Wie wird Farid verhindern,...




Keywords:


Hip-Hop is a manifestation and spin on exploitation of African-American and Latino-American youth, and is often considered to have sexism and misogyny attributes. New York City blacks and Latino youths originally started the hip-hop culture, with included rapping, deejaying, break-dancing and graffiti-writing. But, it has evolved into something much more than just local expressions.


Hip Hop

Hip-Hop - Violent and Degrading Lyrics



Hip-Hop is a lifestyle for many people between the ages of 13 and 30. It involves music, videos, fashion, club-scenes, and the ways that young people interact with each other. The media has embraced and adopted the hip-hop culture, as well as big corporations, such as Coca-Cola and Burger King. Versions of hip-hop can be found in marketing media and corporate advertisements. The Brooklyn Museum of Art even has an exhibit dedicated to hip-hop culture.



Hip-Hop - Violent and Degrading Lyrics

The most influential part of hip-hop has become known as rap music. Rap music is a form of poetry, recited over musical instrumentation. Many consider rap music to be brutally honest, violent, and misogynistic. But to others, the violence to and hatred of women appears blatant and offensive.

Much of rap music portrays black women in negative images. The hip-hop culture views all women, but mostly black women, as sex objects. Most hip-hop videos show women dancing or displayed in explicit sexual poses, clothed in bikinis (or less), with the focus on their body parts. The images go hand in hand with the explicit language that suggest women are nothing more than sex objects or money-generating commodities. Many rappers describe themselves as 'pimps' and women as second-class and sexual commodities. Many rap songs, not only, glorify the pimp lifestyle, and refer to women in ways a pimp might describe their prostitutes, but the lyrics promote violence to women that "disobey."

Of course, not all rap music is misogynistic, and not all black men think of women in this light, but large percentages within the hip-hop culture do. The name calling in the rap music dishonors, disrespects, and dehumanizes women. When society accepts labeling women in this manner, will physical and psychological abuse become acceptable? Unfortunately, many black men battle racism or oppression within hip-hop culture, and have been conditioned to distrust intrusive feelings of trust and love.

Many women consent to these collaborations, and believe racism or subjugation are viable excuses or justification for the practice of degrading and exploitation of women. The numbers of women that show up for unpaid try-outs for video shoots indicate that significant amounts of hip-hop consumers are women. Groups of women can be seen loitering in concert backstage areas, expressing their willingness to perform sexually in return for money and jewelry, or perhaps realize a feeling of being wanted.

Black women have, historically, been used as sex instruments, and continue to fight for power and material wealth. When slavery was legal and rampant, black women were routinely sexually abused by any man that wanted her. They could be used for breeding purposes and create more slave trade for their owners. Black women, also, used sex in order to lower chances of cruel treatment by the slave masters. They were paying with their bodies to survive and achieve better treatment within the uncontrolled, abusive slave life.

Black women emerged out of slavery as oversexed and promiscuous. Some viewed themselves as society dictated, and believed they did not have control over their bodies. As they tried to fit into white societies, some black men wanted the women to be employed in subordinate roles in a white household; while some black women wanted the men to acquire jobs and be the sole provider. Hip-hop culture displays similar oppressive obsessions. Some black women prefer to use sexual powers to reap economical gain. And, many black men have learned how to manipulate women by using money. In order for many black women to get what they want, they accept mistreatment and allow themselves to be exploited through hip-hop images.

Sometimes black women are uneducated and have no job skills. Many believe their bodies are all they have to offer to gain status. Many dysfunctional relationships can be found within the hip-hop culture. Some women believe men are instruments of use to gain access to money; some men think women are only have value when it comes to sexual gratification.

Would censoring hip-hop music and lyrics be an answer? Perhaps, the solution would be to change the hip-hop society and ideology by discontinue negative and misogynistic lyric promotion. But, the first step to change gender relations within the hip-hop community is education. People need to be made aware of the negative and derogatory connotations that continue to violate women's rights, in sexist lyrics, physical interactions, and at hip-hop gatherings. But, of course, people need to be receptive to the devastating results that violating human rights cause, and be willing to change.

Are human flesh traders alive and well in the United States? Of course, we all know trafficking women is illegal, but considering the more than 45,000,000 dating websites on the Internet, is this a modern legal tool that continues the exploitation of women?

Speaking out against exploitation of women in hip-hop cultures, and for women everywhere, can help change ideologies. But, if women are not interested or willing to stop exploitation tactics, they will continue to be used and considered as just sexual instruments.

Although women have come very far, their work is not finished, and they have a long way to go before equality will be realized.


Hip-Hop - Violent and Degrading Lyrics









★ Weitere Infos in der Beschreibung! ★ ► Nazar - Lass es beginnen (Snippet) www.youtube.com Narkose vorbestellen: Normale Edition: amzn.to Fakker Edition mit T Shirt Größe S: amzn.to Fakker Edition mit T Shirt Größe M: amzn.to Fakker Edition mit T Shirt Größe L: amzn.to Fakker Edition mit T Shirt Größe XL: amzn.to Toxik hat sich mit Nazar getroffen, um über das kommende Album Narkose zu sprechen. Es geht um Nazars Reisen nach Marokko und Dubai, das dort entstandene Video zu Sandsturm und sein Heimatland Iran. Wie kam es zu den Features auf Narkose, was macht Sido und Silla als Musiker aus? Wie groß war Manuellsens Anteil? Wie verlief der Aufnahmeprozess und welche Tipps kann er jungen Rappern geben? Nazar spricht über Einflüsse aus Amerika und Frankreich - imitiert Deutschrap das Ausland? In welche Richtung geht Narkose, bekommen wir Fakker-Ansagen oder nachdenkliche Poesie? Auch auf persönlicher Ebene haben sich Toxik und Nazar unterhalten und so geht der gebürtige Iraner zum Beispiel auf den Umgang mit Familie und Freunden ein. Ist Nazar privat anders, als er sich in seinen Songs präsentiert? Nazar sagt selbst, dass "er zum Stein gewachsen sei". Wie waren seine Zukunftsperspektiven in der Kindheit? Wie viel Rassismus gibt es in Österreich und Deutschland noch? Nazar - Narkose 1. Intro 2. Prototyp 3. Narkose 4. Repeat 5. Stilles Meer 6. Sandsturm 7. Hochmut kommt vor dem Fall 8. Nicht mit mir feat. Motrip 9. Lost in Translation 10. Labyrinth 11. OZ Interlude 12. 20 ...




Keywords:


Hip hop music has its roots from West African music and African-American music. The first rap song to be put onto a vinyl record was, "Rapper's Delight", a song by the Sugarhill Gang back in the 1970s. This is when block parties started becoming the norm in New York City, which gave hip hop and rap the chance to explode in popularity. Hip hop's instrumentation came from funk, R&B, and disco, when combined together make this dynamic type of music. When the DJs at these block parties learned what the people liked, they began mixing these vinyl records and created music that played continuously with amazing transitions between
songs. Hip hop was actually created by a DJ named Kool Herc, a Jamaican that had moved to the United States with a style that consisted of mixing music by using two copies of the same record. Many of the poor Jamaican's in the town could not afford vinyl records, so huge stereo systems were set up so that many could here the rhythmic beats. These stereo systems were the kick-off for the beginning of the
evolution of block parties. So with the musical talent of these amazing DJs, with the use of vinyl record mixing, the culture of hip hop and rap music was born.


Hip Hop

Music History - Hip Hop, Rap, R&B



History of R & B



Music History - Hip Hop, Rap, R&B

R&B, which stands for Rhythm and Blues, was the greatest influence on music around the world for most of the 20th century's second-half. Rhythm and Blues is a term with a broad sense, but typically recognizing black-pop music. This type of music was introduced to the world by artists' combining the music styles of jazz and blues. R&B is actually what was later developed into what we know as rock and roll. In the 1970s, the term R&B was being used to describe soul and funk music styles, which today we know it describes Rhythm and Blues. Along with being influenced by jazz and blues, R&B also had influences from gospel and disco music. Disco's downturn in the 1980s opened the door for R&B to truly take-off in popularity.


Music History - Hip Hop, Rap, R&B






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